Handed a task that's ludicrous on its face, they treat it with the focused intent a rising MC devotes to the in-studio freestyles that are a more traditional rite of passage on rap radio. Watch the artists' faces as the song gets going: They might be smiling, but they aren't joking. The three rappers make their way through the text easily because it's in an aesthetic language they already speak.īut perhaps more important is the atmosphere in the room, which is a mixture of delight and anticipation - because no one there, from the DJs to the entourage to the group itself, knows what's going to happen from one line to the next. ![]() Llama Llama Red Pajama has that DNA in its title alone, a phrase whose inherent rhythm can be shouted into a slogan - compare its meter to "Liar, liar, pants on fire" or "Remember, remember, the 5th of November." And as in the rest of Dewdney's Llama Llama series, the book is full of tongue-twisting internal rhyme, the kind a child trips over at first and then becomes determined to master. The trio's songs hammer words and phrases into new meaning by way of sustained, ardent repetition. Migos' flow is a genre unto itself, deadpan observations that fly out of the speakers in bursts of machine-gun staccato. ![]() So what is it about this one?įor one, it's an uncanny match of performer and material. Both clips were served to YouTube for easy sharing - but neither has had a fraction of the impact of Migos' appearance, retweets of which number more than 100,000. and Jeezy both accepted the challenge and did fine, approaching it with humility and quiet bemusement. Migos isn't the first to do this: The Cruz Show has lately made Llama Llama Red Pajama a regular gauntlet for artists in the interview chair, who are asked to recite the words in their signature cadence and embellish as they see fit.
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